December 10, 2014

A Strange Arrangement: El Camino

"A lot of artists say anger or even the experience of fear or these things feeds the work, and so the suffering artist is a romantic concept. But if you think about it, it’s romantic for everybody except the artist. If the artist is really suffering, then the ideas don’t flow so good, and if [he is] really suffering, he can’t even work. I say that negativity is the enemy to creativity." - David Lynch

"Here we have the example of avoiding the cliche..." Alfred Hitchcock 

Stan Lee's New Superhero Pitch

UK Coca-Cola Ad, 1965


Tsunehisa Kimura?
Svetlana Petrova

Pomplamoose is not a vanity project.

Fridge In Space

Stay attuned...

November 22, 2014

Apocalypse Cos

Forgive me in advance for not knowing exactly how many women have come forward to accuse Bill Cosby of drugging and raping them. At last count, I think it was sixteen. Naturally, the numbers do not matter. If .even one time, Cosby drugged a date and took advantage of her, that behavior is unconscionable and must be condemned in the firmest way possible.

Bill Cosby. I've never known a world without him in it, making me laugh. I regularly watched his television shows and I've seen most of his movies, but to me his stand up comedy is the real meat and potatoes of his large body of work. Routines like "Chicken Heart," "Noah: Right!" and "Buck, Buck" are unforgettable. Through his comedy, Cosby showed us humans who we really were, with all our foibles, and gave us permission to laugh about it. In that regard, I would have to say he is a hero, someone who shaped my view of the world more than I probably even realize.

Now, at this late stage of his life, when he should reaping the rewards and accolades of a life well lived and a job well done, Cosby has instead been cast into the harshest of spotlights. The charges are so ancient, that there can seemingly be no proof as to whether he did or did not do the things he is accused of doing. All we have are the words of the accusers and the faintly damning silence of the accused.

I certainly do wish every one else on the planet would stop shouting "Guilty!" or "Innocent!". Unless you were in the bedroom or jacuzzi or wherever with Bill Cosby and his alleged victims, your opinion as to Bill Cosby's guilt or innocence means exactly nothing and probably just reflects how you feel about Bill Cosby, regardless of the current situation. In the last few weeks, I have never seen a faster or harsher rush to judgment than what I have witnessed in this matter. Is it because Cosby is such a legend, so big he must have an epic fall? Is it because rape is such a hot button issue? Whatever the case, all this armchair juroring only obfuscates the legitimate reporting. Didn't McCarthyism teach us anything?

The question that keeps going through my mind is "Why?" Why would Bill Cosby do these things? At the time of these alleged activities, Cosby was a young, handsome and wealthy comedian and actor. I can't imagine a scenario in which ladies weren't standing in line to go to bed with him. What's more, he could have afforded any call girl's price. I can buy that Bill Cosby had a hitherto unseen dark side. Many geniuses do. However, it is very hard for me to conceive that Bill Cosby drugged and raped women as a kind of deviant sexual hobby.

And yet, I don't know the truth. Hannibal Buress doesn't know the truth.You don't know either, unless you're Bill Cosby or the women who are making these terrible claims. One would think that an artist who has given so much laughter and insight to a world that desperately needs laughter and insight could at least be shown the courtesy of not being lynched in the court of public opinion until more information comes to light.

But, this being America in the first part of the 21st Century, that's not going to happen. Therefore, I suggest we take a poll. We must poll Americans and ask them whether or not they like Jell-O. If the majority of Americans say they like Jell-O, then Cosby will be cleared of all suspicion. If the majority is against Jell-O, then we will boil up a huge vat of Jell-O pudding, and dip Bill Cosby in it, and then cover him with feathers. Then we will tie him to a stake and force him to listen to the comedy stylings of Hannibal Buress.

On second thought, never mind. That idea is as crazy as a kangaroo court.

October 2, 2014

The Mammy Two Shoes Imbroglio

The news is out that Amazon Prime Instant Video subscribers who watch Tom and Jerry cartoons will first be greeted by a warning that these cartoons are "racially prejudiced." This has many classic animation fans up in arms. "The PC police have gone wild!" they'll say. "There's nothing racist about these cartoons."

As far as these fans are concerned, that is absolutely true. Classic animation fans watch classic animation to laugh and be entertained. They watch them to study and celebrate the history and process of animation, sometimes going frame by frame to see how a particular gag is executed. They are well informed about the people that were involved in the creation process: the directors, writers, voice actors, background designers, et al.

Moreover, they do not view a character like Mammy Two Shoes as being particularly racist. They see her as a funny character, ready to give "Thomas" his just desserts if he steps out of line, which he often does. They even feel genuine affection for her, so much so that they are willing to defend her against her detractors.

There is nothing wrong with that. They are coming from a pure and honest place.

However, the history is in on Mammy Two Shoes. The mammy archetype is deeply offensive to many Americans, and they are also not wrong to be offended. Nor is it wrong to warn people in advance that what they are about to watch contains an archetype they might find offensive.

If you have a hard time understanding why Mammy Two Shoes is offensive, then this Authentic History Center article should help you to understand, but be warned that it does contain advertisements and other ephemera that are deeply offensive. There are also articles on the same site that address other racial stereotypes.

Basically, Mammy Two Shoes is a Rorschach Test for race. If you are deeply offended by the character, it does not mean you are an overly-sensitive troublemaker. If, however, you are not offended by her, it doesn't mean you are a racially-insensitive lout. 

Although it happens way less often than our "fair and balanced" news media would have us believe, I believe this is actually a case where the positions of two opposing factions are equally reasonable and acceptable.

It would be wrong to lock away or burn Tom and Jerry cartoons. It's wrong that Disney will not make available Song Of The South. It's hypocritical to think Song Of The South must be banned, while Gone With The Wind gets the deluxe box set treatment.

Censorship is wrong, period. It lessens us as a society of free-thinkers. It robs us from learning from mistakes in our nation's past.

Though they are inherently flawed by racial caricatures, there is simply too much value in these cartoons and films to consign them to the dustbin of history. They should be released with strong disclaimers. They should be released and exist in an atmosphere of tolerance and understanding from those on both sides of the issue.

October 1, 2014

Michael Kupperman Is Great So Buy All His Comics!

Do you like humor that is deranged, yet also droll? Do you like comics filled with non-sequiturs? Do you like woodcut drawings? Did you ever wonder what kind of delightful hijinks would transpire if a snake and a piece of bacon got together?

If you answered yes or no to any of the above questions, you need to check out the work of Michael Kupperman, creator of Tales Designed To Thrizzle.

When I read Michael's stuff, I somehow feel it was made especially for me, and that doesn't happen very often. Then, when I realize other people obviously enjoy his comics, I feel a little less alone in the universe.

Seriously. I'm surrounded by idiots. Help.

I just found an old Kupperman strip in an issue of Fantagraphics' Zero Zero (#26). Back then, Michael was operating under the pseudonym "P. Revess."

I hope it whets your appetite for more, and I hope you buy all of Michael Kupperman's comics, because he is a genius of comics, and geniuses of comics should be supported.

September 24, 2014

True Fact Comics #2: The World's First Military Sub

From Star Spangled Comics #107 (Aug 1950) comes the thrilling true tale of The Turtle, the first submarine used in combat. GCBD lists the penciller as Curt Swan and credits John Fischetti with inks.

Addams Family Mysteries

Percy Helton (as Uncle Fester) Sneaks Up on John Astin (as Gomez)

Recently, Life Magazine presented an article showing various actors and actresses trying out for roles in The Addams Family in 1964. Many people who care about such things have been trying to identify these performers. I collated all the info I could find on this matter and sent an e-mail to Mark Evanier, and he posted the bulk of it on his blog, News From ME.

Thankfully, he caught my mistake (D'oh!) of naming Percy Helton as a possible candidate for the role of Lurch. That would certainly be a non-starter, although, as you can see from the photo above, he just might have cut the muster as dear old Uncle Fester.

September 19, 2014

True Fact Comics #1: The Story Of Casey Jones

Comics are like human brains, so little of their potential is utilized. I have learned so much about subjects such as history and science just by reading comics that I could never, for one moment, take seriously the lunkheads that dismiss the medium as throwaway entertainment fit only for children and adults with arrested development. Comics can make learning fun, and that's a very good thing, because learning should be fun. Right?

Here is a biography of train engineer Casey Jones from Real Fact Comics #19. (March-April 1949). GCBD lists the artist as Howard Sherman, he of Doctor Fate fame.

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Take An Audio Tour Through A Sixties-Era Amusement Park

Though I was born in 1973, I state with no hesitation that the sixties is my favorite decade. Although there was a great deal of strife in America during that tumultuous decade, it was also an era alive with possibilities, boundless culural creativity and a desire for genuine positive change.

Artifacts from that period seem to contain a particular magic and here's a neat, maybe even groovy, one: sounds from Santa Monica's Pacific Ocean Park, an amusement park that opened in 1958 and closed in 1967.

Dig it!

Thanks to Domenic Priore for the link. By the way, Domenic and Christopher Merritt wrote a wonderful photo-filled book about Pacific Ocean Park which contains a foreword from Brian Wilson.

September 18, 2014

50th Anniversary Newswatch Linkfest

The sixties was such a fertile time for pop culture, especially after The Beatles landed in America. I think we had all better prepare ourselves for an unprecedented flurry of 50th anniversary celebrations. Why, I wouldn't be surprised if the upcoming onslaught of 50th anniversaries ushered in a full scale sixties revival, although the thought of Sarah Palin wearing go-go boots makes me a little ill.

Debuting on television exactly five decades ago this week, Voyage To The Bottom Of The Sea is a show I need to stare at more often, especially after reading Joe Torcivia's glowing tribute to the show on his blog, The Issue at Hand. Be patient with me, Joe. I'm still slogging my way through Fireball XL5.

Over at Yowp, Yowp raps about Hanna-Barbera's Jonny Quest in a well-researched piece that includes some reviews written about the show when it was all shiny and new, fifty years ago. Is Jonny Quest the best action cartoon series ever made? Name me one better. 

Not to be outdone, Terence Towles Canote at A Shroud of Thoughts offers up an interesting history of Bewitched, still nose-wigglin' it's way into our living rooms after all these years. 

I'll leave you with a Donna Loren performance of the theme from Goldfinger, which just turned fifty, from a 1965 telecast of Shindig!, which premiered, yup, you guessed it, this week in 1964.

David Harper Nails What's Wrong With Superhero Comics Today

23 of DC's December comics will have variant covers drawn by Darwyn Cooke.
David Harper has recently posted an excellent article at Multiversity Comics in which he asserts, rightly so, that the superhero comics industry could do a lot worse than follow the example set by Darwyn Cooke's "DC:The New Frontier" to reinvigorate the genre and bring back some of the fun and optimism. He most eloquently points out that superheroes rarely even smile anymore. 

From the article:

When you look at “DC: The New Frontier” and Cooke’s variant covers that are coming down the path, it’s hard not to describe them with phrases like “nostalgic blasts” and “delightfully Silver Age.” That’s fair, as that’s what they are. They represent another time, and they do it well. But when I look at them, it’s hard not to recognize that the spirit and heart he captures in his work is something comics truly miss. In an era where social media and 24/7 news networks and in-your-face blogs are pursuing the horrors of the world to greater depths than ever before, a little bit of hope and optimism from the greatest heroes in comics feels more needed and welcome than ever.

Thanks to Arlen Schumer for the link.

Bette Davis Speaks At The 1969 San Francisco Film Festival

Here is an audio recording of Bette Davis speaking and answering questions at The 1969 San Francisco Film Festival. She seems more relaxed here than in some other interviews I've watched or heard. In particular, her frequent laughter is disarmingly joyful. Holding court in a room full of film buffs, she tactfully addresses her feud with Joan Crawford and laments passing on the role of Scarlett O'Hara in Gone With The Wind, among other interesting topics.

Tales From Earth-C #1: A Bo Bunny Story By Sheldon Mayer

To celebrate the impending release of Showcase Presents: Captain Carrot and His Amazing Zoo Crew!, here is a story set on Earth-C, the home of DC Comics' funny animal characters (at least before Crisis On Infinite Earths fouled up the original Multiverse).

This is a Bo Bunny story from Peter Porkchops #50 (June-July 1957) featuring the work of genius Sheldon Mayer.

September 17, 2014

And Now A Word From Our Sponsor...

Put that carrot down, junior! There's a better way!

When Comics Were Fun #1: Superman Does The Dishes

The Man of Steel shows off his dish drying technique, from Superman #57 (March-April 1949). 

Hanna-Barbera's Abbott and Costello Cartoon Show - "Booty Bounty"

This rare Hanna-Barbera cartoon series originally ran in syndication from September 9, 1967 to June 1, 1968. It's mostly notable for the fact that Bud Abbott provided his voice talents. Stan Irwin, a nightclub manager who had been a friend of the pair, did the voice of Lou, who had passed away in 1959.

In this in-depth interview, Kliph Nesteroff asked Stan about his work on the show:

Stan Irwin: A friend of mine brought the idea up and he was going to produce it. He knew that I could do [the voice of] Costello and brought me along. I would fly in from Vegas, drive and pick up Bud Abbott, go to the recording studio, and drive him back to his house and fly back to Vegas. Bud lisped a lot. A lot. We had to do a lot of retakes. He lived in a house that was smaller than his former bar. He was on a downward slope and the end was near. He needed the cartoon gig and they tolerated him because it was him even though it was retake after retake after retake.

In this episode, Bud and Lou try to bag a bounty by capturing a mountain lion named Sawtooth.

September 15, 2014

Sublime Exotics #1

Having some extra time on my hands while I earn the funds to complete my home music studio, I decided to channel my creative energies into compiling and editing a show that mixes vintage, sometimes obscure, music with vintage, sometimes obscure, animation.

At times the music and animation seem to be working in concert to tell a story. At other times, the animation serves merely as eye candy to accompany the music.

I'd like to dedicate this program to all artists everywhere. Your lives and works are testimony to the unlimited potential of mankind to create, rather than to destroy.

This installment features music by Spirit, Traffic, Sherbet, Leon Russell & Marc Benno, Daddy Cool, Mark Fry, and Starcastle, as well as award-winning animation by Andrey Khryanovsky, Ivan Ivanov-Vano, Paula MacDougall, Josef Misik, Wang Shuchen, Gerry Paquette and Ishu Patel.


Opening Title: Animation from The Glass Harmonica (1968), directed by
    Andrey Khryanovsky.

Segment One Music: "Love Has Found A Way/Why Can't I Be Free?" by Spirit, from the album 12 Dreams of Dr. Sardonicus (1970).

Segment One Animation: Extract from The Butterfly (1972), directed by
    Andrey Khryanovsky.

Segment Two Music: "Hidden Treasure" by Traffic, from the album The Low Spark of High Heeled Boys (1971)

Segment Two Animation: Extract from Seasons (1969), directed by Ivan

Segment Three Music: "Silvery Moon" by Sherbet, from the album            Slipstream (1974).   

Segment Three Animation: Extract from 1974 (2000), directed by Paula    MacDougall.

Segment Four Music: "Icicle Star Tree" by Leon Russell & Marc Benno,  from the album Look Inside The Asylum Choir (1968).

Segment Four Animation: Extract from Kermesse Fantastique (1951), directed by Josef Misik.

Segment Five Music: "Eagle Rock" by Daddy Cool, from the album Daddy Who? Daddy Cool (1971).

Segment Five Animation: Extract from Crossing Monkey Mountain (1958), directed by Wang Shuchen.

Segment Six Music: "Song For Wilde" by Mark Fry, from the album Dreaming With Alice (1972).

Segment Six Animation: Extract from Oh Sean (1982), directed by Gerry Paquette.

Segment Seven Music: "Elliptical Seasons" by Starcastle, from the album
Starcastle (1976).

Segment Seven Animation: Extract from Afterlife (1978), directed by Ishu Patel.


August 30, 2014

George Benson's "Giblet Gravy"

Going through a box of unsorted vinyl yesterday, I was pleased to find George Benson's 1968 Verve LP Giblet Gravy. This tune, the title track, starts out sounding like a funky take-off on Mancini's "Baby Elephant Walk," but stick around for some bona fide virtuosity!

Blast Off, Eh Wot!

As far as unsold tv pilots goes, The Solarnauts, from 1967, is engaging enough to make me wish it had gone to series. There is a definite Gerry Anderson vibe going on here, and, if you like bongos, you're going to love the musical score. Okay, it's definitely not Star Trek. It is, however, rare British sci-fi from the Age of Groovy, and really, isn't that enough? Did I mention the bongos?

August 27, 2014

Bill Plympton's "The Bugle"

Bill Plympton has become quite well-known for his frenetic animation work. His latest film, Cheatin', is making the film festival rounds and stirring up a lot of buzz. Here is an example of his comic strip prowess, originally presented in the August 1982 issue of Heavy Metal.